Ephemera (2025) was produced and performed by Eliza Gelinas.
Scored (and recorded) with euphonium and max/msp sampler.
Filmed with a Bolex camera on 16mm Kodak Tri-X Reversal, Hi-Con, and 250D Vision3 film.
Premiered at Purdue University in The Society for Electro-Acoustic Music in the United States Conference on March 21st, 2025.
“Ephemera” is an audiovisual performance piece that combines filmmaking and electroacoustic music. The film is shot on 16mm with a consumer-grade Bolex camera and edited nonlinearly with hand drawn animation, and collage animation. The score is performed live on euphonium running through a Max/MSP sampler. Melodies are recorded and looped through the sampler, and manipulated further by effects such as timestretch, grain delay, pitch shift, etc., to create an evolving ambient score to accompany the film. “Ephemera”, by definition, are items which were not originally designed to be retained or preserved, but have been collected or retained. This work is an exploration of the things that hold memory, of our desire to capture memory on film and the inherent quirks in our memory preserving technologies. Throughout the piece, imagery of abandoned buildings and factories, mirrors, trees, mountains, water, cars and people are portrayed in many different forms to highlight their ephemeral, transitory nature even when captured immortally on film.